What got you interested in crime writing?
Two people: Encyclopedia Brown and my mom. I loved that with the Encyclopedia stories, you had a chance to solve the mystery yourself. I remember being so proud when I figured it out. I also really loved the Choose Your Own Adventurebooks.
My mom is a huge reader. Once I got too old to read Encyclopedia, she let me read whatever I wanted on her bookshelves. Of course, that meant I was reading Jackie Collins at like 12, but I also was reading a lot of mysteries because that’s her favorite genre. We all know that representation matters. I was lucky that when I was in high school, Black mystery writers like Barbara Neely, Valerie Wilson Wesley, and Walter Mosley were being published. Seeing them in Borders and Waldenbooks made me know I could one day write a mystery too.
What exactly is domestic suspense, your specialty?
Think of it as neighborhood suspense. The main characters aren’t superheroes, cops, private detectives, spies, and the like. They are everyday people. Your neighbors who find themselves or someone they know in a dangerous situation. They could be missing, stalked, or even dead. And things are never what they seem – sometimes even with the main character themselves. The book Gone Girl is credited with really popularizing the genre.
What did you see missing from the crime genre, and how did you enter that untapped niche?
It’s a very White genre for a variety of reasons. I do think part of it is how our society treats Black women. People reading this know better than anyone: we don’t always get the grace that our White counterparts get. So, the tropes of the domestic suspense genre (missing kids, unreliable narrators, nosy neighbors) aren’t going to affect our characters the same way. You see it with Missing White Woman syndrome compared to how little attention is paid to women of color who disappear. It’s why I wanted to take the Missing White Woman trope and play with what would happen if someone who looked like me accidentally got caught up with a woman whose disappearance has gone viral.
Your debut novel, Hollywood Homicide, enjoyed critical acclaim and numerous awards. Did working as a screenwriter in Hollywood help you bring that story to life?
Yes! I had always wanted to write a novel but was so scared that I tried every other type of writing except poetry. I wasn’t brave enough to attempt my first book until I’d gotten fired from my job working as a TV writer. So, I took my years working in Hollywood as a semi successful, kinda broke, somewhat jaded, always sarcastic TV writer and created a character who was a semi-famous, mega broke, super jaded, always sarcastic former actress.